Tonalidad: A major
Verse 1
D
You just came from England.
What would you say the trend
is there?
Any particular kind of blues
they liked the best
when you sang in England recently?
G
Well, the main thing about it is, if you can,
F
G
if you get up and explain what you're going to play,
the people will sit quiet
and listen to whatever you sing,
and then they'll take it
F
D
from there.
G
And there's no country I've been
in in my life
that people don't have blues.
Of they have it a different way.
F
G
They have it through wars
F
and through different destructions
G
F
and things that we don't have here.
G
And therefore, they don't have the same way,
F
have the blues the same way that I do.
G
So I'm singing it the way that I have it.
And therefore, it never happened
to them over there.
And then when I explain it before
D
I start singing it,
G
then they know what I mean.
It's trouble.
I'm singing about the trouble I
It's the same in every language.
Yeah.
So if they had trouble, so they understand that I'm
singing about the trouble I have,
then they feel it.
Is there any particular blues
that you found was very popular there,
of all the songs that you have?
F
Well, yes, I've got one that I do play over there
G
for them that they all like,
and they understand it,
C
F
because I'm singing about woman trouble,
D
G
and I think every man born have
had woman trouble.
It doesn't matter what language
C
G
D
C
G
he speaks.
C
G
C
D
C
G
D
G
I got a girl named Willie Mae
and she lives in the low, low land.
C
I got a girl named Willie Mae,
G
and she lives in the low, low land,
D
C
G
D
G
C
Lord, the way I got
G
C
G
All my life, baby, know I've had it wrong
C
All my life, Willie Mae,
G
you know I've had it wrong.
D
C
Not just on the count of me breaking
G
D
G
D
up one poor man.
G
C
G
Willie Mae, Willie Mae, Willie
G
yeah I've been callin' you
D
Not if I don't get my Willie Mae
C
G
There's no other woman
When I get a thing about Willie Mae
C
A cold chill creeps up and
G
C
G
down my spine
C
G
When I get a thing about Willie Mae,
C
G
cold chills creeps up
and down my spine.
D
Sometimes I wished I was dead,
C
but Willie Mae ain't no round
G
D
C
G
C
for me to die.
G
I'm going to leave here, baby,
C
G
and I'm going on down the line.
C
I'm going to leave here, Willie Mae,
G
and I'm going on down the line.
D
You know I don't do nothin' here,
G
but grieve and cry.
D
You know I don't, don't do nothin' here,
C
G
Willie Mae,
C
G
D
G
D
G
but grieve and cry.
Willie Mays.
Willie Mays.
Well, on the subject of women,
since they've been,
I guess, the basis of most of the blues,
you know.
So, let's sort of wander around,
Brownie?
Yeah, I think the first woman
G
blues I ever did
wasn't about the woman, was Daisy. Daisy.
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