Tonalidad: G major
Verse 1
G
I always felt there was a close relationship
between painting and music.
Many, many artists,
many artists that I knew,
after they got the composition started, they liked to play
good music.
It helped them very much in the painting.
Well, it's because the
The feeling is the feeling, you see,
and listening to certain pieces often, often stimulated
a painting to me.
I shall never forget, one time I was listening
to some very beautiful organ music.
Mrs.
Simeon
Joyce, she was a superb organist,
C
G
and I was listening to this beautiful rendition.
she was playing on the console organ and all at once
this picture began to form in my mind
without any effort at all and I could
D
hardly wait. I had a studio in
G
Toronto at the time.
I could hardly wait until I got to the studio.
Bm
I was at the number I did 27.
F#m
Em
Oh, it's that famous,
Bm
it's that famous
Group of
Seven building, where
Bm
G
Jackson was and
G .H.
Bm
McDonald and
F#m
Severn
Em
Bm
Street, yes,
G
Bm
number 10 or something, or number 12
Severn
G
You just go down off
Yonge and then into the
Rosedale
Em
Bm
Em
Bm
Well anyway, I dashed in this picture
D
A
G
and all the time I could hear,
Bm
F#m
convincingly hear, that beautiful,
Em
beautiful piece play.
Bm
It was so beautiful.
Em
Bm
There is a relationship
between the two.
A
G
They're the two sister hearts and they both thrive well on the common
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denominator feeling.
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I'm going to try to get a good shot of what's going on but I don't think I can.
Interlude 1
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Verse 2
D
Sunward I've climbed,
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D
enjoying the tumbling mirth of sun -spit clouds,
and on a hundred things you
have not dreamed of,
wheeled, and soared,
Bm
and swung high in the sunlit silence.
G
Sunward I've climbed,
Bm
and joined the tumbling mirth of sun -split clouds,
D
A
And done a hundred things
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you have not dreamed of,
Wheeled, and soared,
and swung high in the sunlit silence.
Bm
F#m
Em
Bm
Em
Bm
A
G
Bm
F#m
Em
Bm
Em
Bm
A
G
Bm
F#m
Em
Bm
Em
Bm
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Bm
F#m
Em
A
Em
Bm
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You
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¿Qué te pareció la canción?
AfinadorE A D G B E
AcordesG C D Bm F#m...
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