Tonalidad: A major
Verse 1
G
How do you work this thing again?
C
One two three one two three
G
C
G
C
Modern human Karen McGilligan notes on in terview
G
C
six seven nineteen eighty six with Bill Fitzgerald
G
C
G
Legendary trumpet guy stroke piss head
C
G
Memo to Dan
C
G
how about a nice juicy Kirstie McCall
C
G
next or even a bunny man?
C
G
C
Not another old loser like this one
G
C
Although First impressions,
G
C
stuffy old duffer's club,
G
C
quiet like Sunday at your nana's.
G
C
Hardly grouchos, I said,
G
and he was off. Grouchos?
C
Who wants to sit
G
C
with a herd of advertising knobheads?
G
C
They use Charlie Parker
G
C
to sell tampons!
G
C
Jesus, can talk,
G
C
till suddenly he's silent.
G
C
So the interview was over,
G
Am
like I wasn't really there.
Dsus4
G
C
Was he drunk or was he bored?
G
C
Did he know I'd come to meet him?
G
I was boring, he was sober
C
D
I was bland, he didn't care
G
Am
D
It's just another tired piece
Em
on jazzy bluesy bollocks
Am
D
The drinking and the jamming
Am
They say he had Bardot
D
Em
and now the latest wife's in prison
F
She's Mexican, Lupita,
Am
signed a cheque or two
Releasing all the poor old
D
bastard's money
Am
D
Em
D
C
G
From a Costa Brava timeshare
Am
G
Precious little music
The face is all carved out
But his eyes are like, well, sapphire
C
G
They're younger, were they happy?
Gdim
C
He hints at happy times
G
C
G
C
I have my doubts I can't use that
G
C
G
When did I get all Mills and Boone?
C
Actually, he's good company.
G
C
Drinks arrive without being ordered.
G
C
Can't quite see him in the half -light.
G
He can't be serious.
C
G
Hard to keep the interview on track.
C
G
C
He won't be drawn on sex.
G
He won't discuss the women.
C
G
C
The shutters came right down
Am
when I made hints about the men.
G
C
His shoes could do his soles.
G
C
I clucked his dirty collar.
G
C
He clucked his empty whiskey glass
Am
D
and he was gone again.
G
Am
D
It's just another tired piece
Em
on jazzy bluesy bollocks
Am
D
The drinking and the jamming
Am
D
They say he beat Chet Baker
Em
in a trumpet duel in Memphis
F
Should I speak to an official?
Am
Did it make a Guinness record?
G
D
Em
Is there anybody cares just how
D
C
G
Am
or where or why or when?
G
C
There you go, Dan.
Bish bash bosh.
G
C
Someone relevant next, yeah?
G
C
A nice prince or sting
G
C
or some other short -arse show -off
G
C
with just the one name.
G
Precious little manners,
old gravy on his sleeve
Never looked me in the eye
C
But I clocked that dirty collar
G
C
G
And the hint of happy times,
G
Gdim
and the music
C
G
I didn't want to leave.
C
G
Karen McGilligan signing off.
Shit, I've got Morrissey in half an hour.
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