Tonalidad: Db major
Intro 1
C
G
C
G
C
G
C
F
G
C
G
C
Verse 1
I see it,
C
there's no way to win in it
F
Bb
everybody's in it for their own gain
F
you can't win them all
somebody's always taking you down
G
C
i do my best i do good business
Bb
lots of people asking for my time
F
trying to get ahead
G
C
G
trying to be a good friend of mine
C
Eb
i was a free man in paris
F
so unfettered and alive
G
F
G
nobody calling me up for favors
F
no one's future to decide
G
C
Eb
I would go back there tomorrow
F
but for the work I've taken on
Bb
F
G
C
stonking the star maker machinery
F
G
F
G
C
behind the popular song
Am
F
C
G
C
F
Am
F
C
G
I deal with dreamers
C
and telephone screamers
Bb
Lately I wonder what
F
I'd do it for if I had
G
I'd walk out the door and wonder down the
C
F
Bb
Champs -Élysées Going café to cabaret,
F
Bb
F
Bb
F
thinking how I'd feel if I found
G
C
G
That very good friend of mine
Eb
I was a free man in Paris,
F
Bb
so unfettered and alive
F
C
G
C
G
Nobody calling me up for favors,
Am
F
no one's future to decide
G
C
Eb
I would be back there tomorrow
F
Bb
but for the work I'm taking on
F
G
C
Stoking the star maker machinery
F
G
C
F
behind a popular song
G
C
F
G
C
F
C
G
C
Behind a popular song
F
G
C
Am
F
C
G
C
G
C
F
C
G
C
G
C
G
C
G
Eb
I was a free man in Paris,
Bb
F
Bb
so un fettered and alive
F
C
Nobody calling me up for favors,
G
no one's future to decide
C
Eb
I would be back there tomorrow,
F
but for the work I've taken on
G
Stoke in the star,
C
make a machine riff,
behind a popular song
G
C
Eb
I was a free man in Paris,
F
Bb
so unfettered and alive
F
G
C
Nobody calling me up for fa vors,
F
no one's future to decide
G
C
Eb
I would be back there tomorrow,
F
Bb
but for the work I've taken on
F
G
Stoke in the star,
C
make a machine riff,
F
G
C
F
G
C
F
C
G
behind a popular song
C
G
C
F
C
F
C
G
C
G
C
F
C
Thank you. Thank you.
It's a perfect song,
isn't it? So welcome to the basement.
Paying customers and welcome
guests.
There's some frighteningly familiar faces
in this room tonight.
Thank you all for coming.
I'm going to cover a lot of ground
from the 60s through to
a project
I'm working on in Morocco
and hopefully you'll
hear something you like.
So let's go. through to let's
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AfinadorE A D G B E
AcordesC G F Bb Eb...
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