Tonalidad: G major
Verse 1
G
Here's Sarah,
C
G
I'm stuck on a train bound for Richmond
C
G
We march down from Kernistown,
D
up hill, low well
G
With the train stopping, staunting,
C
G
we hold up and climbed on
C
G
D
G
And then we just sat here for a night and a day,
D
the night's so long
G
But I write you every day in a humble song
D
G
That we used to sing
The one sweet William,
C
G
his love, Barbary Allen
C
G
D
And how she is always a long
G
C
G
ways away
D
G
D
G
My insides are all torn
from a heart attack and a parched corn
My hat blew in a windstorm
D
and the sun has turned me red
G
First chance to lie down,
I pull out your Bible
But I fall fast asleep
D
G
before one verse is read
and the night's long
D
G
But I write you every day in a hum a song
D
G
But we used to sing
C
One of Sweet William's love,
C
G
D
And how she was always long ways
G
C
G
away
D
G
C
G
D
G
Dear Sharon
C
D
Parting, keep me in your heart
G
C
G
And I do not drink or gamble
D
as I've promised you I do.
G
So as not to deceive you,
C
G
I did have a need to,
D
when we were surrounded and I thought that
G
D
we were through the night alone.
G
D
I write you every day in a humble song,
G
that we used to sing,
the one of sweet William,
C
G
his love, Barbarie Allen,
C
G
D
G
and how she was always a long ways away.
C
In Scarlet Town where I was born,
G
there was a fair maid dwelling,
F
G
C
made every man cry with a day,
G
C
and her name was Barbary El len.
G
Are you familiar with the old folk song,
A
D
Yes. You know, I mean...
don't know how old we are.
C
No, it's older than any of us,
it really is.
I think it's like very early
20th century
or even late 19th, so there. Anyone? Well,
no.
C
A
Anyone claim to be that old?
G
I completely forgot
what I was gonna say now.
Oh yeah, Barbara Allen.
Remember the story?
Like, he's dying because he's in love with her,
and he sends people to get her
and bring her to his bedside.
And she comes in, slowly, slowly, she came in, and slowly,
she came nigh him, and something, something, something, something.
She looks down at him
and she says, young man, I think you're dying. I mean,
what a bitch, man, you know.
A
Sheesh. I'm going have to redeem that.
This is a song that Leonard Cohen wrote
with Jennifer Warnes,
and I did a song of Leonard Cohen's
back in the 60s
called Suzanne,
and it got a lot of airplay, and it was,
I got to know Leonard at that time,
and I didn't see him for years.
And a few years ago
I ran into him somewhere
and I went up to him
and I said, hi Leonard,
it's Noel Harrison.
He looked at me, he went like
this.
They'll never catch us.
A
C#m
No, no,
D
E
No, no,
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