Acordes de Almost Maybes
Jordan Davis (Versión Oficial)
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2020Música country373 vistas

Tonalidad: B majorDificultad: Fácil

Intro 1

B

F#

E

B

B

F#

E

B

Verse 1
B B 
 
F# F# 
 
I had one saying we were done
E E 
 
B B 
 
In a Baton Rouge college bar
B B 
 
F# F# 
 
It kinda came out of nowhere
E E 
 
B B 
 
Man, I took that one pretty hard
B B 
 
F# F# 
 
And I had another one in another town
E E 
 
B B 
 
And I spent a whole lot of nights missing her
B B 
 
F# F# 
 
'Til it all went black, she stopped texting back
E E 
 
B B 
 
And I finally got the picture

Chorus 1
B B 
 
F# F# 
 
Here's to the almost, so close
Emaj7 Emaj7 
 
B B 
 
It's over     out of the blues
B B 
 
F# F# 
 
Here's to the hey I think we  need to talk
Emaj7 Emaj7 
 
B B 
 
And the it       ain't me it's you's
B B 
 
And here's to the tears and beers
F# F# 
 
and wasted years
Emaj7 Emaj7 
 
B B 
 
On the weeds    that looked like daisies
B B 
 
F# F# 
 
I wouldn't be sittin' here next to you
Emaj7 Emaj7 
 
B B 
 
If it weren't  for the almost maybes

Verse 2
B B 
 
F# F# 
 
Here's to the one that my  family thought
E E 
 
B B 
 
Was gonna make me drop to one knee
B B 
 
F# F# 
 
And I tried like hell, but I couldn't help
E E 
 
B B 
 
My mama loved her more than me
B B 
 
F# F# 
 
And to all those July  crushes
E E 
 
B B 
 
Turning into September leavin's
B B 
 
F# F# 
 
Goodbyes that didn't feel good back then
E E 
 
B B 
 
It happened for a real good reason

Chorus 2
B B 
 
F# F# 
 
Here's to the almost, so close
Emaj7 Emaj7 
 
B B 
 
It's over     out of the blues
B B 
 
F# F# 
 
Here's to the hey I think we  need to talk
Emaj7 Emaj7 
 
B B 
 
And the it       ain't me it's you's
B B 
 
And here's to the tears and beers
F# F# 
 
and wasted years
Emaj7 Emaj7 
 
B B 
 
On the weeds    that looked like daisies
B B 
 
F# F# 
 
I wouldn't be sittin' here next to you
Emaj7 Emaj7 
 
B B 
 
If it weren't  for the almost maybes

Interlude 1

B

F#

E

B

If not for the almost maybes

B

F#

E

B

Bridge 1
B B 
 
F# F# 
 
Wouldn't be no all alone's
E E 
 
B B 
 
Wouldn't be no sad songs
B B 
 
Wouldn't be no had enough,
F# F# 
 
E E 
 
B B 
 
pick yourself up and get to moving on's
B B 
 
F# F# 
 
From the didn't work outs
E E 
 
B B 
 
The girls next door and the bat shit crazies
B B 
 
F# F# 
 
There wouldn't be no you and me right now
E E 
 
B B 
 
If it weren't for the almost maybes

Chorus 3
B B 
 
Here's to the almost, so close
It's over out of the blues
Here's to the hey I think we need to talk
And the it ain't me it's you's
B B 
 
And here's to the tears and beers
F# F# 
 
and wasted years
Emaj7 Emaj7 
 
B B 
 
On the weeds    that looked like daisies
B B 
 
F# F# 
 
I wouldn't be sittin' here next to you
Emaj7 Emaj7 
 
B B 
 
If it weren't  for the almost maybes
B B 
 
F# F# 
 
Emaj7 Emaj7 
 
B B 
 
Not      for the almost maybes
B B 
 
F# F# 
 
E E 
 
B B 
 
(Oh- oh, oh- oh)

Outro 1

B

F#

E

B

(Oh- oh, oh- oh)

B

F#

No, it wouldn't be no you and me right now

E

B

If it weren't for the almost maybes

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Necesitas para dejar una calificación.

AfinadorE A D G B E

AcordesB F# E Emaj7

Acordes

B
F#
E
Emaj7

Posiciones de los dedos, de grave a agudo (E A D G B e). 0 es cuerda al aire, x es cuerda silenciada.

B: x-2-4-4-4-x
F#: 2-4-4-3-2-2
E: 0-2-2-1-0-0
Emaj7: x-x-2-4-4-4

Cejillo: Sin cejillo

Transportar: 0

0

Transcrito con precisión por el equipo de GuitarTuna.

Los acordes de cejilla exigen mucho de la mano que pisa las cuerdas. El curso de cejilla explica la posición de la mano, la presión y la forma más limpia de colocar cada posición. Practica acordes de cejilla

La mayoría de los problemas con los cambios de acordes vienen de la mano que rasguea, no de la que pisa las cuerdas. El curso básico de rasgueo cubre los patrones y el tiempo que hacen que cualquier progresión de acordes sea más fácil de tocar. Practica el rasgueo básico

Esta es la versión original definitiva de Almost Maybes por Jordan Davis, transcrita exactamente como fue grabada en el estudio. A diferencia de nuestro arreglo simplificado, esta partitura conserva los voicings de acordes y las progresiones exactas en la tonalidad original de B major. Es ideal para músicos que quieren aprender Almost Maybes tal como Jordan Davis lo concibió, sin simplificar demasiado el arreglo.

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