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Roland & Curt Interviewed acordes de guitarra fáciles por
Tears For Fears
Tears For Fears

N/A•
Verse 1
G

Shout
C
G
Gm

G
Gm
G
Gm

G

"I was hoping that somebody
Ab

Would say that, um
G

'Shout' was the single
Gm

for '84
A

In the sense that there have been
G
Ab

There were so many protest
G
Gm

singles
G

And I think 'Shout' was the
F
Gm

Most direct of all them"
G
Shout,
Verse 2
Gm

shout, let it all out let it all out
Eb

These are the things I can do without
C

Come on (come on)

I'm talking to you,
G
Em

come on the Working Hour
Verse 3
G

This is the working hour
C

We are paid by those who
F
Em

Learn by our mistakes
G

This is the working hour
C

We are paid by those who

Learn by our mistakes
Verse 4
C
G

"'The Working Hour' was thrown
A
F
G
F

Together during, um, rehearsals
G
Em

- erm, rehearsals for our last tour erm
Gm
C

And it came together

in half an hour that's-
D

And we've kept it the same pretty
A
G
Em
A

Much ever since that's
G

why it sounds- it
Abdim
G

Actually sounds like a band playing"
Verse 5
C
F

This day and age for all and not for one
Em
G

All lies and secrets put on,
C
F

put on and on
Verse 6
Em

Everybody Wants to Rule the World
Verse 7
Eb

"So I came in one- one
D

day and they'd

Actually written a song around this beat
A
D
G

And, um, it was very commercial,
D

so they

Said: 'Here it is, you're singing this

Go and do it' so I did"
Verse 8
D

It's my own design it's

my own remorse
Em

Help me to decide help make the most
F#m

Of freedom an d of pleasure
D
G
F#m

Nothing ever last s forever
Em
F#m
D
A

Everybody wants to rule the world
D
G
There's a room
Verse 9
D

where the
G

light won't find you
D

Holding hands while the walls
G

Come tumbling down
D
A

When they do I'll be right behind you
Interlude 1
D
F
Dm
D
G

D
G
A
G
Em
G
Eb
G

F#m
G
Em
Eb
Ebdim
G
D

G
Mothers Talk
Verse 10

D
G

"It stems from two little
C

Ideas one is something
A
G

That English mothers say

to their English

Children, which is,
D
G
G

if you're pulling a face

You know, like children sometimes do

They say: 'You'll stay like that
C
G

When the wind changes'
Em
That's one idea
Verse 11
D

and
A

the other idea is exactly
G

What you're talking about
Ab

- 'When the Wind
G

Blows' - which is cartoon
F#m

Book by Ray mond Briggs
G

Which is an anti- nuclear

thing for instance

The lyrics 'When

the weather starts to burn
Ab

Then you'll know that you're
G

In trouble' it's the
A

Closest we'll get to an an
G
A
Em

ti- nuclear song"
Verse 12
Em
A
D

Given that you pay the price
A

We can keep you young and tender
C

Following the footsteps
A

of a funeral pyre
Gm

You were paid not to listen
C

Now your house is on fire
D
Verse 13


Wake me up when things get started
C
D

When everything starts to happen
Dm

I Believe
G
Dm
G
Dm
Verse 14
D
A

"One of my
G

favourite songs on
Eb

The album very simple
G

A nice sort of jazz swing
Gm
G

To it now, I don't wanna harp on

About the lyrics or anything like that
Gm

But I think that they are the most potent
Eb

And powerful lyrics we've ever
Gm
Eb
Edim
F

Put onto vinyl"
Verse 15
F
Ab

I believe that if you thought for a moment

Took your time

You would not resign yourself

Resign yourself to your fate

And I believe that if it's
Gm

Written in the stars, that's fine

I can't deny that I’m a Virgo
Eb

too
Interlude 2
Eb
A
D

A

D


Verse 16
A

Broken "'Broken'
D
Ab

was originally
G
A

an old b- side which
G
A
G
A

We put into overdrive again

That comes from doing a lot
G

of live work with
A

Those numbers- ran into
G

each other and worked
A
G

So well there's basically the

Same motif- piano motif

In each number that's why they
A
G

went together"
A

Head Over Heels
Verse 17
D
G

"yeah, 'Head Over Heels' is

Probably the closest we'll
D
G

Ever get to a love song, heh

It's a love song that kind

of goes
C

A bit perverse at the end"
D
A
D
C
Verse 18
A

C
A

I wanted to be with you alone
C

And talk about the weather
A

But traditions I can trace against
C
A

The child in your face

Won't escape my attention
C
A

You keep your distance with
C
Dm

a system of touch
Verse 19
G

"It was an instrumental originally, but em

Ian wrote

- Ian Stanley it's a beautiful

instrumental

With just, you know,

me creeping into a

Bit of lyrics in the middle,
G
Dm

you know"
F
Cumpleaños chica, no
Verse 20
G

Dm

hay que preocuparse

Soothe my feeling
G
Dm
G

Cumpleaños chica, no hay
Dm

que preocuparse

Cumpleaños chica, no hay

que preocuparse
G
Dm

Soothe my feeling

Cumpleaños chica, no hay
G

que preocuparse

Cumpleaños chica,
Dm

no hay que preocuparse

I feel it, soothe my feeling

Cumpleaños chica,
G
Dm
G
Dm

no hay que

preocuparse
G
Dm
G
Dm

Soothe it,
G

soothe it, soothe my feeling

Now I feel it
Dm

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Una cabeza de guitarra acústica con clavijas de afinación

Tuning:Standard Open Tuner
Acordes

  • G

  • C

  • Gm

    3

  • Ab

    4

  • A

  • F

  • Eb

    6

  • Em

  • D

  • Abdim

    6

  • F#m

    2

  • Dm

  • Ebdim

  • Edim

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