Acordes de Nina
Peter Pringle
Peter Pringle
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N/A1 vistas
Tonalidad: Bb major
Intro 1
B
B

G
G

B
B

Em
Em

E
E

F#
F#

B
B

C#m
C#m

E
E

F#
F#

B
B

Verse 1
B
B

Señorita Nina from Argentina,
all the answers
D#m
D#m

Though all her relatives and friends
F#
F#

were perfect dancers
She swore she'd never dance
B
B

a step until she died
D#m
D#m

B
B

She said, I've seen too many movies
and all they prove is too idiotic
D#m
D#m

They all insisted that South
F#
F#

America was exotic,
whereas it couldn't be more
B
B

boring if it tried.
Adim
Adim

G#
G#

D#
D#

C#
C#

She added firmly that she hated
the sound of soft guitars
D#m
D#m

G#
G#

beside a still moon.
B
B

E
E

And then she positively stated
D#
D#

that she could not abide a southern moon.
G#
G#

She said, I hate to be pedantic,
but I'm driven nearly frantic
F#
F#

E
E

when I see that unromantic,
D#
D#

sycophantic lot of sluts.
F#
F#

D#
D#

Forever wriggling their guts
F#
F#

D#m
D#m

D#
D#

Drives me absolutely nut s
E
E

D#
D#

B
B

She refused to
Baug
Baug

B
B

begin the begin
Baug
Baug

B
B

Baug
Baug

When they requested it
B
B

F#
F#

B
B

An d she made an
Baug
Baug

embarrassing scene
B
B

A
A

If anyone suggested it
G#
G#

A
A

G#
G#

C#
C#

F#
F#

For she detested it
B
B

Senorita Nina, from Argentina,
despised the tango
D#m
D#m

Although she never was
F#
F#

a girl to let a man go
She wouldn't sacrifice her
B
B

principals for sex
F#
F#

B
B

She'd look with scorn on the gyrations
of her relations
who danced the conga
D#m
D#m

And swore that if she had
F#
F#

to stand it any longer
She'd lose all dignity and
B
B

wring their silly
G#
G#

D#m
D#m

C#
C#

She said that, frankly, she was blinded
to all their over -advertised
D#m
D#m

G#
G#

ro mantic charms.
B
B

E
E

And then she got more bloody -minded
and told them where to put
G#m
G#m

E
E

D#
D#

Em
Em

their tropic palms.
D#
D#

She said with most refresh
D#m
D#m

G#m
G#m

ing candour
G#
G#

that she thought Carmen Miranda
F#
F#

was subversive propaganda
E
E

D#m
D#m

D#
D#

and should rapidly be shot.
F#
F#

D#
D#

And that she didn't care a jot
F#
F#

D#
D#

E
E

D#
D#

if people quoted her or not.
B
B

Baug
Baug

She declined to begin the begin,
B
B

Baug
Baug

B
B

Baug
Baug

though they besought her to.
B
B

F#
F#

B
B

An d with language pro
Baug
Baug

B
B

fane and obscene,
A
A

she cursed the man who taught her to.
G#
G#

A
A

G#
G#

C#
C#

She cursed Cole Porter to.
F#
F#

From this it's fairly clear
B
B

that Nina, in her demeanour,
was so offensive,
D#m
D#m

That when the hatred of her friends
F#
F#

grew too in tensive
She thought she'd better beat it
B
B

while she had the chance
Em
Em

B
B

After some trial and tribulation
She reached a station and met a sailor
D#m
D#m

Who had acquired a
F#
F#

wooden leg in Venezuela
And so she married him
B
B

because he couldn't dance
D#m
D#m

B
B

There surely never could
Em
Em

have been a
A
A

D
D

More irritating girl than Nina
B
B

Em
Em

They never speak in Argentina
F#
F#

Of this degenerate Pampina
F#
F#

Who had the luck to find romance
Em
Em

Em
Em

Then resolutely would
B
B

G
G

B
B

G
G

n't dance
She wouldn't dance, oh no!

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