Tonalidad: Eb major
Verse 1
Bbm
Bb
Gb
Fm
Bb
Gm
That sweet expression,
C
Fm
Bbaug
Bb
the smile you gave me
Bbm
It's easy to remember,
Ebsus4
Edim
Eb
Ab
or is it?
Db
A poetic jazz member
Gm
C
It's March, of 1963
Fm
Bbm
In mid- morning, New Jersey
Bb
Gm
Two musicians drive through the snow bound,
suburban landscape
Bbaug
C
Gb
On their way to a recording session
B
Verse 2
Bbsus4
One,
Bb
an intensely dedicated musical explorer
Eb
Has, of late, been studying
Gb
the way singers breathe
Fm
Bbsus4
Bb
And hopes he would hear Frank
Bbaug
Sinatra on the radio
Bb
so he can consider one more
Db
Eb
no tion before the session
Abm
The other,
Db
Abm
an experienced song stylist
Ab
Eb
Db
Wonders whether he will ever hear his own
Gm
C
Fm
voice over the airways
Bb
Eb
The two men met only last week and have
only played a few pieces together
Baug
B
The singer sitting in informally
Verse 3
Bbm
Eb
at Club Manhattan
The singer is a little concerned
G#
that the band was gonna break
Fm
Into some of the wild stuff
Bbm
he's heard them play
But the band leader,
E
Eb
the gentle and positive man
Ab
Will be going for something altogether
different on this occasion
Db
Abm
Something wholly sympathetic to
C#
F#
the sound the singer has
Verse 4
B
F#
E#
The two were joking and smoking and
E#dim
Talking about the songs
D#
they will record today
E#
A#
A#sus4
They carry no chats,
D#
A#
D#
F#
and have made no formal musical arrangements
Or even had a real rehearsal
E#m
Everyone at the session will know
A#
the tunes already
Each man having performed them,
Gm
in a hundred different countries
C
No one at the session will need to
E#m
A#
be told what to do or what to play
A#aug
D#m
The band is so well acquainted that
Verse 5
A#m
any move that need to be established
Edim
G#
Will come naturally
C
As the cats in the car talk
G#
about what is to come
D#
Over the car's radio comes Nat Cole
C#
G#m
C#
singing 'Lush Life'
Now he who doesn't know
all the words
A#aug
Out of fun the singer joins in any way
Gm
C
And the two add one more tun
E#m
A#
C#
e to the said list
Verse 6
C#
When they got to the studio, they end
C
up recording it in one take
In fact, they do everything
in one take
G#m
Almost the entire record except
D#
'You are too beautiful'
B
Where they do a second take because of
E#dim
E#m
A#sus4
a dropped drum stick
A#
In three or four hours they are done
A#m
C#
D#sus4
Laughter, handshakes a long drive
Verse 7
home
G#m
Just a year or so later,
F#
B
John Coltrane will go onto the highest artistic peaks
E#m
Leading the same band in the creation of
A#
'Crescent' and 'A love supreme'
C#
Arguably the de fining
D#
works of his career
G#
C#
D#
And among the most beloved and respected
C
Edim
in the history of recorded music
C
A#
Although Johnny Hartman will go on to make
F#
D#
some great Ballard records after this one
A#aug
C
Including some attempting to echo the magic
of the one he makes with strings
Verse 8
E#m
Most go unnoticed upon their release
A#
A#sus4
Broad fame will elude Hartman
A#
D#
until well after this death
F#
E
F#
Fm
But we remember them both
Bb
We're Jazz people
Eb
And for us, it's easy
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AfinadorE A D G B E
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