Tonalidad: F major•
Intro 1
F
Eb
F
Eb
F
Eb
F
Eb
Verse 1
pre -mortem
Eb
I promised the ghost of
Maliga
Dayanira
Ab
So I went to
Eb
Caledon, where
Enos was king,
F
stopping to fight the river -god
Eb
Achilles on the way.
F
Eb
I won, when I broke his horn.
F
In the pyramid at
Eb
Giza, I become lost in a succession
Ab
of chambers.
F
I am blind like
Eb
Homer, yet strangely I still see.
F
Screen -brithed cows in silver foil,
Eb
gigantic ants scuttling on the motherboard,
F
while I sew with
Ariadne.
Eb
The white rab bit scurries away
down next door's bar,
F
at two in the afternoon in
the femoral hospital,
Ab
the radiotherapy ward is
Eb
filled with tiny lights,
F
a pile of dim, palely, deceptible earth,
Eb
F
and a heap of spiritual, distant music.
Eb
F
Eb
At two in the afternoon.
Venice with
Von
Aschenbach,
Ab
Eb
Seeking a lost child in a red cape,
F
coughing blood,
And the swine of
Eb
Circe come run ning
to their deaths.
F
Maddened by the singing
of the sirens,
Eb
Winterfell growing in off
Toledo,
F
Sometimes a god crosses our
Eb
paths here unannounced.
F
In the pyramid the mummy grows mouldy
Eb
at the last two in the afternoon.
F
Haile
Selassie orders a stamp collection
Eb
to be brought,
lifts a stamp with tweezers
F
and places them back.
I leave him to his pastime.
Eb
Time will probably pass regardless.
F
I strike out from
Alexandria
to the
Ab
Eb
Athenian apartment of my ninth year,
F
like a betas blasted in monastic woe.
Eb
The hot mountains snow
-capped with marble.
F
Dust storms over
Sikipour.
Eb
Lime cordial on
Eucalyptus
Square.
F
Where is it now?
And where also?
My
Eb
Parisian child bride.
Ab
Into the sea they flow.
F
Eb
The fjords' medieval snow
F
Four legs in the morning,
Eb
two in the afternoon
F
Eb
Three at evening, flat on our backs by dawn
F
Two in the afternoon
Eb
Gracchus the hunter joins me now
F
He offers me the oars
and I row from one
Eb
Greek island to the next
While
F
Gracchus writes, if it be possible,
so deep in death to write
Eb
The secrets of the world in the margins of a little girl's
Gm
F
spidery penciled spice girl's scrapbook
Eb
picked up from the ground
and hackneyed.
Tokyo are sombre umbrellas,
Eb
flapping atop telegraph
poles in the rainy season.
F
A writer hurries by dressed in
Gm
a restraint check pattern,
Eb
F
composing in his head the thirty -first
Eb
F
Eb
syllable of a tankard.
F
Eb
Libari is sitting at his sewing machine, cor pulent pale -eyed,
F
flushed -forward, he's stammering
a few more days as they threaten to turn
Eb
off his life support machine and the
Eb
goes spastic.
The
F
Eb
Slavic women decorate their anguish with jubilations,
the
F
Mongolian terror is fresh
their memories.
Eb
Grim dawn comes from the east bringing
F
carrion over the grass of the highlands.
Eb
Elves gurn, denouncing all conflicts.
F
The skull prickles, the hairs rise.
Eb
Poe indulges in voluptuous melancholy,
F
C
F
a polysyllabic, like the grass the horsemen know.
Eb
F
Eb
F
We perish.
Eb
F
and the minotaur plays
Eb
Nintendo basho squats
before the emperor
F
the former 13 and a half year old genius
Eb
exposes himself for the subway passage
to a half -wit girl he scares
F
half out of her wits
Eb
his brother is as complex as
Requiem.
F
Shakespeare and the
Bishop of
Winchester
Gm
are teasing the frows
Eb
in the stews of
Southwark
F
they're baiting bears in the nearby pit the
Gm
Eb
arena has been flooded
Gm
F
Shakespeare and the
F#
Bishop take their seats for the
Eb
reenactment of the sea
battle between the
Genji and
Imperial
F
Eb
Boat is already on fire,
F
Eb
F
the battle was lost centuries before.
Eb
Bb
F
Daniera agrees to be my wife,
F#
F
we purchase an
Ivy
Eb
Green
F
Lexus, a flagship of the range,
C
Eb
and live discreetly luxurious in a premier shell loft conversion in the
Eb
Hills.
F
the converted observatory
Palo
Eb
Bb
Alto.
Eb
F
Eb
F
Eb
F
Eb
F
Eb
F
Eb
For the moment life goes on, on
F
Four legs in the morning,
Eb
two in the afternoon
F
Three at evening, flat on our backs by day
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